Colonial framing: What equivocal relationships has modern photography had with past or contemporary 'other' cultures?
Damarice Amao is a historian of photography and has a PhD in art history. She co-curated the exhibitions Eli Lotar (Jeu de Paume, 2017), Photography, Weapon of Class (Centre Pompidou, 2018) and Dora Maar (2019) and co-edited the accompanying catalogues. She recently presented the exhibition Charlotte Perriand. Politique du photomontage (2021). She will soon open at the Centre Pompidou Décadrage colonial. Anticolonialism, Surrealism, Modern Photography.
She is currently a curator at the Cabinet de la photographie of the Musée National d'Art Moderne/Centre Pompidou.
In dialogue with Alain Berland and Christian Joschke.
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